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King Lear, B2r

Editorial note

Page B2r shows the impetus of Lear and Cordelia's conflict as Cordelia refuses to participate in her father's game of flattery. When reading this scene for the first time as students, it was difficult to understand how and why the conflict began. Since so much of the play hinges on this one exchange, it's vital that readers understand it. So, we decided to make the page both more easily understandable for a modern student.

This transcription is centered around making Shakespeare accessible and interesting to high school students via translating it into fanfiction lingo to facilitate understanding and providing footnotes with open ended questions to guide discussion. Shakespearean texts tend to be thought of as dense and difficult to read, particularly for students reading them for the first time. If students are taught to read Shakespeare and translate it to their modern lingo, they are better equipped to understand, on a basic level, what is going on in each scene. From there, students can move on to deeper analysis predicated on understanding of the plot and themes. 

We selected the lens of fanfiction specifically because it is both popular among teenagers and notoriously easy to read. Fanfiction is often written by beginning writers, often teenagers themselves, and can be a much less dense read than Shakespeare. This kind of editing can act as a bridge between teenage reads and King Lear, making it more accessible. Beyond that, fanfiction and internet slang is fun. If students can find Shakespeare’s writing funny, witty, and, most importantly, enjoyable, that goes a long way towards improving his reputation in modern education. 

We also provided footnotes for contextualization of this scene. This scene can be difficult to understand given the importance of social conventions and niceties to this scene. Upon first reading, it’s easy to get turned around in this scene without understanding the underlying social context. For example, Lear isn’t supposed to be dividing a kingdom in order to give his youngest daughter inheritance. Lear is supposed to be able to order his daughters around because he is king. His madness might not come across to an uninformed reader. Further, the open ended questions in the footnotes facilitate discussion, being informative rather than prescriptive in the readings of the text. The open ended questions are meant to facilitate critical thinking and development of a student’s own opinions and readings of the text.

Regan: Father, I’m no different from my sister, we’re canonically1
made from the same blood, So whatever praise she gets, I deserve too.  

And, honestly if I’m saying what’s truly in my heart, she didn’t even go far enough.2

She talked about love, sure, but she still only gave a drabble.3

Because me? I’m basically saying I don’t care about any other happiness this world has to offer.

Nothing else matters to me more than this.

The only thing that really makes me happy is having your love.

Cordelia (aside)4: Oh poor Cordelia! 

Just kidding, because I know my love is deeper than anything I could say out loud, because words would be OOC5 for my deep love. 

King Lear: Cordelia, I’m ready to give you and your future family a whole third of the kingdom, and it’ll be every bit as rich and powerful as the share I already gave Goneril.

You may be the youngest, but you are definitely not loved the least.

So now it’s your turn, what are you going to say to win an even better6 share than your sisters?

Because right now I’m basically waiting for your big angst7-filled speech, not total silence.

Cordelia: Nothing, Father. 

King Lear: Nothing? 

Cordelia: Yeah, nothing. 

King Lear: If you give me nothing, then nothing is exactly what you’re getting back8, so give a better answer.  

Cordelia: I hate that this is how my words are coming out, but I can’t just turn my actual feelings into some fake fluff9 speech on command. 

I just can’t force my heart out into words10 like you want. 

King Lear: No, go on. 

Fix that answer before you ruin everything for yourself. 

Cordelia: Father, you gave me life, raised me, and loved me, and I return that the way I should.

But if my sisters really mean what they’re saying, and they love only you and nothing else, then why are they even getting married?

When I get married, the person who takes my hand is going to get half my love, half my care, and half my responsibilities too.11

I’m not going to stand here and give some id-fic12 version of love that sounds dramatic but isn’t real.

This isn’t a oneshot13 where one person is supposed to be everything.

Lear: But do you really mean that?

Cordelia: Yes, father. 

Lear: Fine. Let your truth stand as your dowry.14

no soft15 AU16, only that truth.

Image credit: Rare Book Division, The New York Public Library Digital Collections, copy *KC 1608. His True Chronicle Historie of the life and death of King Lear and his three Daughters. First Quarto. London: 1608.

Citing this page: Shakespeare, William. King Lear, B2r. London: 1608. Cacodemon Digital Shakespeare. Edited by Avery Neuner and Noelle Schwarz. Source edition: Rare Book Division, The New York Public Library (*KC 1608). http://cacodemonshakespeare.com/tragedies/lear/b2r.

Works Cited:

Best, Michael. "History: division and happy endings." Internet Shakespeare Editions. University of Victoria, NaN undefined NaN. Web. 13 Mar. 2026. <https://internetshakespeare.uvic.ca/Library/SLT/plays/king%20lear/learhistory.html>.

Shakespeare, William. “King Lear.” The Norton Shakespeare. Edited by Stephen Greenblatt, et.al. 3rd ed.,W.W. Norton & Company, 2015, pp. 1384-1460. 

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Notes:

  1. Vocab Canon: the material officially accepted as true within the storyline of a fictional universe, as defined by its creator or owner
  2. Context: Regan’s strategy of one-upmanship of her sister Goneril, who speaks before her, is interesting. Why is Regan being blatantly passive-aggressive towards her older sister right in front of her? Particularly since they’re supposed to be in charge of neighboring thirds of the kingdom. It might seem odd to us, but the audience would have understood that the division of a kingdom would have caused a civil war (Best).
  3. Vocab drabble: a micro-story consisting of about 100 words
  4. Context:Asides in Shakespeare indicate characters speaking to the audience. It lets us into Cordelia’s thought process without her having to say it out loud to the other characters. We are in her inner world. Consider why Cordelia is allowed to speak directly to us. Why is this a powerful writing and staging tool?
  5. Vocab OOC: out of character
  6. Context: As you probably know, the youngest child doesn’t typically royally inherit. Goneril should probably be inheriting the kingdom. But, instead, they are being offered thirds, and Cordelia is being offered a better third. Why is Lear doing this?
  7. Vocab Angst: Stories that focus on conflict and emotional turmoil between characters or plot
  8. Context: “How, nothing can come of nothing,” Lear brings to mind creation, the biblical idea that matter had to be created from some divine act and it did not always exist. Keep in mind biblical allusions towards Cordelia for future, her character is FULL of parallels to the story of Christ. Lear is also, more practically expressing that he can’t give her more opulent inheritance if he doesn’t have a plausible reason to do so since she's the youngest.
  9. Vocab Fluff: heartwarming and affectionate stories that solely focus on positive moments
  10. Context: Here, Cordelia makes a dig at her sisters, calling them fools due to the biblical passage “The heart of the fools is in their mouth: but the mouth of the wise is in their heart” (Greenblatt 1386). She’s speaking to their foolishness for putting their hearts in their mouths, but also to her own honesty and wisdom by saying she speaks from the heart.
  11. Context: Cordelia, though she’s doing slightly odd math, is calling out her sisters for nickel and diming their love. Regan and Goneril try to prove that they have more love than their sisters through some similar logic. Cordelia, as she’s been reluctantly forced to play the game, is mockingly doing her own love-related mathematical equations.
  12. Vocab Idfic: self-indulgent fanfiction usually written for the pleasure or gratitude of the writer
  13. Vocab oneshot: a one-off story, not a part of a multi-chapter story
  14. Context: Why, if Cordelia is Lear’s favorite, does he flip on a dime like this and go from giving her everything to giving her nothing? We have to recall that King Lear is very old, that’s why he’s doing this weird division in the first place. This is the first glimpse we get into Lear being mad, rash in anger and choosing to completely cut out his favorite child over one slight.
  15. Vocab Soft: wholesome and sweet
  16. Vocab AU: Alternate Universe
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